Archives: Movie Reviews
Movie Reviews.
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Recent Posts
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SONIC and MUFASA Lead the Pack, Joined By Four New Titles on Christmas Day
Posted on: Dec. 29, 2024
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If You Spend Christmas at the Movies, You’re Not Alone
Posted on: Dec. 22, 2024
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Comscore’s Paul Dergarabedian: See Streaming as Complementary to Movie Theaters, not Adversarial
Posted on: Dec. 27, 2024
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Sony Pictures CEO Tony Vinciquerra Talks ‘Arms Dealer’ Strategy, Defends ‘Spider-Man’ Spinoffs
Posted on: Dec. 26, 2024
- Movie Reviews
Bad Boys: Ride or Die
Will Smith and Martin Lawrence radiate real “I’d rather be playing golf” energy in this fourth entry of a played-out franchise.
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Kinds of Kindness
Emma Stone and Willem Dafoe reunite with ‘Poor Things’ director Yorgos Lanthimos for this slight but fun triple-decker sandwich of macabre absurdism.
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Cannes 2024: The Verdict
Women’s films and issues held center stage at Cannes 2024, while outright political films and cinema’s elder statesmen fell out of favor.
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Furiosa
Fails to meet the impossible task of matching, let alone surpassing, its legendary predecessor, but George Miller’s action sequences still pack a punch, even when they reek of déjà vu.
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IF
John Krasinski’s sledgehammer whimsy kills whatever charm this celebration of childhood imagination might have possessed.
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Kingdom of the Planet of the Apes
If there’s a valid reason to return to this simian franchise, this latest entry never finds it, despite the craftsmanship on display.
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The Fall Guy
This valentine to action-packed moviemaking works best when it ignores the plot and focuses on stunt craft and the explosive rom-com banter between Ryan Gosling and Emily Blunt.
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The Ministry of Ungentlemanly Warfare
Guy Ritchie displays his usual skill at stylized violence, cheeky repartee, and bespoke costuming, but the build-up in this WWII action saga outshines the climax.
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Challengers
Luca Guadagnino’s twisty, sexy, adult tennis saga entwines three players who understand each other (and themselves) on the court but have a harder time working outside the lines.
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Civil War
Alex Garland can mount a battle sequence as well as any filmmaker working today, but the lack of political context and specificity undermines this ambitious film.
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