Archives: Movie Reviews
Movie Reviews.
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Recent Posts
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11/29-12/1: MOANA 2, WICKED & GLADIATOR II Host Moviegoers at a Record-Setting Thanksgiving Feast
Posted on: Dec. 01, 2024
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Take a Look inside Film Alley, Longview’s Newest Movie and Entertainment Venue
Posted on: Nov. 29, 2024
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Hasbro’s Gamer CEO to Focus on Play after Paring Film Assets
Posted on: Nov. 20, 2024
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5 Reasons Why ‘Wicked’ Could Fly to Best Picture Victory
Posted on: Nov. 26, 2024
- Movie Reviews
Moana 2
Shares most of the strengths and weaknesses of its predecessor, although at this point, novelty has sailed off to the seven seas. Kids who know the first movie by heart will delight in a second helping.
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Wicked: Part I
This adaptation of the Broadway musical – the first half, anyway – offers a lot of craft but not enough magic.
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Gladiator II
Ridley Scott displays his prodigious gifts for violence and camp in this Roman sequel, but there’s a lot of filler.
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The Best Christmas Pageant Ever
A cadre of feral siblings teach a small town the true meaning of Christmas in a rare faith-based film that doesn’t oversell its message.
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Red One
This search-and-rescue tale of a kidnapped Santa Claus doesn’t reinvent the action-movie wheel, but it’s a fun spin on holiday tropes.
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Here
Robert Zemeckis’ fixed-camera observation of the passage of time is a slick and profoundly shallow movie aching for depth.
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Venom: The Last Dance
Nothing means anything in the conclusion of Tom Hardy’s comic-book trilogy, which makes it either a complete waste of time or a superhero movie in its purest form.
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Exhibiting Forgiveness
In his feature-film debut, painter Titus Kaphar exhibits his talents as a visual artist, if not as a screenwriter.
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Saturday Night
Jason Reitman’s print-the-legend look behind the scenes of the birth of a legendary comedy TV fixture succeeds on its breathless “let’s put on a show” energy.
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Hard Truths
Mike Leigh returns from a lengthy excursion shooting period films to the kind of chamber piece he excels in, in ‘Hard Truths’, a small story about family dysfunction magnified into high drama by Mariane Jean-Baptiste’s formidable lead performance as a wife and mother going over the edge.
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