M. Night Shyamalan

M. Night Shyamalan (birthname: Manoj Nelliyattu Shyamalan) has become synonymous with horror movies told with unpredictable twists and turns. Though seldom a critics darling (although a certain amount of critical re-evaluation has been ongoing) and with a roller-coaster pattern of box office results, Shyamalan has continued to consistently deliver twisty entertainments, averaging a feature every other year since his professional writer-directing debut in 1998 with Miramax’s Wide Awake, his only comedy starring Denis Leary, Dana Delany, Rosie O’Donnell, and Joseph Cross, but failing at the box office (with under $300,000 return).

Shyamalan had technically debuted as writer-producer-director-actor with the indie drama, Praying with Anger(1992), but the film received no real theatrical distribution after a few festival appearances, including the Toronto and AFI Fest film festivals. Shyamalan made a huge breakthrough as a signature filmmaker with his supernatural thriller, The Sixth Sense(1999), starring Bruce Willis, Toni Collette, Olivia Williams, and Haley Joel Osment, and grossing a stunning $673 million on a $40 million budget. Shyamalan (as writer-producer-director) reunited with Willis for Unbreakable (2000), co-starring Samuel L. Jackson and with Robin Wright and Charlayne Woodard, and earning $248 million globally, launching the Unbreakable film series, including Split (2016) and Glass (2019).

An even bigger hit for Shyamalan was the sci-fi horror movie, Signs (2002), starring Mel Gibson, Joaquin Phoenix, Rory Culkin, and Cherry Jones, grossing over $408 million worldwide and solidifying Shyamalan’s movies as a kind of brand. Shyamalan’s run of hit movies continued with the thriller, The Village (2004), starring Bryce Dallas Howard, Phoenix, Adrien Brody, William Hurt, Sigourney Weaver, and Brendan Gleeson, and with a box office return more than quadrupling ($256.7 million) its $60 million budget.

The first failed studio-financed movie from writer-producer-director Shyamalan was Lady in the Water (2006), once again starring Howard, with Paul Giamatti, Bob Balaban, Jeffrey Wright, and Sarita Choudhury, but failing to draw the same kind of audiences as before with only a $72.8 million return. Shyamalan’s disaster movie, The Happening (2008), with Mark Wahlberg, Zooey Deschanel, John Leguizamo, and Betty Buckley, performed better commercially with a $163.4 million global return.

Shyamalan’s worst-reviewed movie to date was The Last Airbender (2010), based on the Nickelodeon series, with Noah Ringer, Dev Patel, Nicola Peltz, and Jackson Rathbone (the casting itself the subject of considerable controversy since it lacked East Asian ethnic casting following the original series), and only doubling ($319 million) in box office its $150 million budget. The next lambasted Shyamalan movie was After Earth (2013), co-starring the father-son act of Will and Jaden Smith, but underperformed at the domestic box office until it eked out a $243 global return.

Seen as a return to form, Shyamalan’s low-budget horror movie, The Visit (2015), with Olivia DeJonge and Kathryn Hahn, was well-reviewed and earned a potent $98.5 million on a $5 million budget. Split marked both Shyamalan’s most profitable project (a $278.5 million return on a $9 million budget) and one of the first-ever so-called “stealth sequels,” in which an uncredited cameo appearance by Bruce Willis revealed this to be a sequel to Unbreakable, starring James McEvoy, Anya Taylor-Joy, and Betty Buckley. The finale in the Unbreakable trilogy was Glass, starring McEvoy, Willis, and Samuel L. Jackson, and once again returning a large profit, with a $247 global return on a $20 million budget.

One of Shyamalan’s most striking movies to date was Old (2021), which the writer-producer-director adapted from Pierre Oscar Levy’s graphic novel, Sandcastle, co-starring Gael Garcia Bernal, Vicky Krieps, Rufus Sewell, Alex Wolff, and Thomisin McKenzie, grossing over $90 million worldwide on an $18 million budget. Shyamalan returned with a potentially even bigger hit with another book adaptation, the apocalyptic-themed Knock at the Cabin (2023), starring Dave Bautista, Rupert Grint, Jonathan Groff, and Nikki Amuka-Bird, and set to far surpass its $20 million cost at the global box office.

Night Shyamalan was, for one of the few times in his career, producer-only on a feature—which also happened to be the feature filmmaking debut of his daughter, Ishana Shyamalan—The Watchers(2024), a horror movie starring Dakota Fanning and co-starring Georgina Campbell and Olwen Fouere and released by New Line Cinema/Warner Bros. Pictures to middling box office and poor reviews.

Shyamalan returned to the helm as director/writer/producer of the psychological thriller, Trap (2024), starring Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills, and Alison Pill, marking Shyamalan’s departure from his long-standing home at Universal Pictures and first in a series of projects at Warner Bros., which is releasing wide.

Shyamalan was producer only of writers-directors Celine Held’s and Logan George’s thriller, Caddo Lake (date to be announced), starring Dylan O’Brien and Eliza Scanlen, and produced by New Line Cinema/Blinding Edge Pictures/K Period Media.