Justin K. Thompson
Birthdate – January 9, 1981 (43 Years Old)
Justin K. Thompson (birthname: Michael Kent Thompson) has worked as a respected production designer, visual development artist, and animation background designer for animation in TV and movies since 1993.
After working in television for 14 years as a layout artist, location designer, and background designer, Thompson added feature film work to his resume with The Powerpuff Girls Movie (2002), Cloudy with a Chance of Meatballs (2009), Priest (2011) Cloudy with a Chance of Meatballs 2 (2013), Smurfs: The Lost Village (2017), and The Emoji Movie (2017).
Thompson’s work as a lead production designer began with Cloudy with a Chance of Meatballs and culminated with his award-winning work on the first entry in the new Sony franchise, Spider-Man: Into the Spider-Verse (2018), co-directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman, and featuring the voices of Shameik Moore, Hailee Steinfeld, Zoe Kravitz, Mahershala Ali, Jake Johnson, Brian Tyree Henry, and Lily Tomlin.
Justin K. Thompson was elevated to co-director for the series’ smash hit and highly acclaimed second entry, Spider-Man: Across the Spider-Verse (2023), with co-directors Joaquim dos Santos and Kemp Powers and co-writers Phil Lord, Christopher Miller, and Dave Callahan, along with the original cast reunited. For his second directing assignment, Thompson continued as co-director with Dos Santos and Powers for the series’ third edition, Spider-Man: Beyond the Spider-Verse (2024).
Filmography
Spider-Man: Across the Spider-Verse
(2023)
Some Facts About Justin K. Thompson
Influences: Justin K. Thompson has listed his animation influences as Craig Kellman, Don Shank, Paul Felix, Paul Rudish, Phil Lord, and Chris Miller.
Who Needs College?: Unlike many of his peers, Thompson never attended an institute of higher learning in his study and apprenticeship in animation.
Awards
Winner, Best Production Design—Animated Feature, Annie Awards (2019); Winner, Best Individual Achievement in Animation, Emmy Awards (2005); Nominee, Best Production Design—Animated Film, Art Directors Guild Awards (2019).